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Qatar Museums (QM) has announced it will present a curated collection of new releases during the 35th Doha International Book Fair (DIBF). The fair will take place from May 14 to 23, 2026 at the Doha Exhibition and Convention Center, commonly known as DECC. A Qatar Museums statement said the organisation’s participation would give visitors the opportunity to explore a broad range of publications produced by the institution over the years, reflecting its efforts to document and share cultural narratives from Qatar, the wider region and beyond. It added that it would showcase award-winning publications and exhibition catalogues that highlight the role of books in connecting audiences with art, culture and heritage. The collection spans subjects including art, design, architecture, archaeology, sport, photography and children’s literature. Alongside newly released works, the Qatar Museums booth will also feature publications linked to some of the institution’s most prominent exhibitions and initiatives, underscoring its continued investment in research, storytelling and cultural exchange through publishing. Visitors will also be able to explore bilingual and multilingual editions intended to make art and heritage more accessible to diverse audiences. Mai al-Nesf, Head of Publications Shared Services and a published Qatari author, said the institution aimed to encourage learning and dialogue through its publications. “Through our participation in the Doha International Book Fair, we are pleased to present publications that open new windows onto art and culture, providing the public with opportunities for learning, dialogue, and discovery,” she said. Among the titles being showcased are Nested in Modernity: Moments from the History of Doha’s Old Palace, A Seat at the Table: Food and Feasting in the Islamic World and Seeing Is Believing: The Art and Influence of Jean-Leon Gerome. The display will also include Splendours of the Atlas: A Voyage through Morocco’s Heritage, Manzar: Art and Architecture from Pakistan, 1940s to Today and Al Journal — Volume One. Since its establishment, Qatar Museums has developed an extensive archive of exhibition catalogues, scholarly works, research publications and children’s books as part of its broader mission to make culture, creativity and knowledge accessible to local, regional and international audiences. Related Story
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Dr Alia Al-Senussi, Art Basel’s senior adviser for international outreach and VIP representative for the UK and MENA. The hosting of Art Basel in Qatar marks a defining moment for the country and the wider Middle East, positioning regional artists and cultural ecosystems firmly on the global art map, according to Dr Alia Al-Senussi, Art Basel’s senior adviser for international outreach and VIP representative for the UK and MENA.Speaking to Gulf Times on the sidelines of Art Basel Qatar, Al-Senussi said the partnership between Art Basel and Qatar represents far more than the launch of a new fair, describing it as a transformative cultural platform.“Art Basel is the world’s leading brand within the cultural ecosystem,” she said. “To see these conversations happening here, with artists present in person and collectors engaging directly with them, is deeply impactful for how artists from the region are perceived globally.”She noted that the strong presence of artists from across the Arab world and Africa, alongside international collectors, curators, and institutions, has already begun to reshape perceptions. Many visitors, she said, described the fair as an eye-opening experience, gaining insights they plan to take back to their home institutions and programmes.“I hope that in the coming years we will see more artists from this region represented in international museums and institutions around the world,” she added.Comparing Art Basel Qatar with other global editions such as Miami Beach and Hong Kong, Al-Senussi said the Qatar edition stood out for its emotional and cultural significance. A Libyan by heritage, she expressed pride in seeing artists from Libya, Qatar, Palestine, and across the Arab world receiving meaningful international engagement.“I’ve been overwhelmed with joy seeing people from the West come here and truly learn about artists from our region,” she said, adding that the growing cultural dialogue between Saudi Arabia and Qatar has been particularly inspiring. She pointed to her work with the Diriyah Biennale Foundation as an example of how regional collaboration is shaping a powerful cultural moment.Reflecting on her roles with institutions such as Tate, the Guggenheim, and the Delfina Foundation, Al-Senussi said global institutions that began engaging seriously with the Middle East have continued to deepen those commitments. She highlighted Tate’s early establishment of international acquisition committees and the creation of the Guggenheim Middle East Council as vital platforms supporting artists and galleries from the region.Addressing the challenges faced by young Middle Eastern artists seeking global access, Al-Senussi pointed to communication barriers and the intimidation often associated with the art world. “It’s not about English or Arabic,” she said. “It’s about understanding how the art world works and making it more accessible and more human.”Turning to Qatar’s local scene, she praised the country’s growing residency ecosystem, including programmes such as Fire Station, saying they are laying the foundation for a new generation of Qatari artists.“These initiatives are creating an ecosystem that will educate, support, and elevate artists for years to come,” she said.On education, Al-Senussi highlighted Virginia Commonwealth University School of the Arts in Qatar as a strong example of bridging theory and practice. Drawing on her teaching experience there, she stressed the importance of demystifying the art world and expanding career pathways beyond artistic practice to include curators, gallerists, collectors, and cultural leaders.Looking ahead, she said success for Art Basel Qatar should be measured not only by attendance or market impact, but by the emergence of a strong regional collector base.“We’ve always had extraordinary artists. What we need now is the next generation of Arab collectors who are active in Basel, Miami, and across the global art market. Seeing Middle Eastern collectors become part of the international art canon would mark a major milestone for the region’s cultural future,” Al-Senussi concluded.

